Statement
I paint landscapes and intimate moments that sit between memory and reality.
My work moves between large, open spaces and close, quiet encounters. Horizons appear often, not as specific places, but as a sense of distance, of something just out of reach.
Alongside these are smaller works focused on closeness, figures, often mother and child, held in moments that feel both ordinary and fragile.
Botanical forms appear throughout the work, carrying a quiet tension and emotional intensity.
I work primarily in charcoal and paint, building and erasing, letting forms emerge slowly. I am interested in what remains after something has been softened, blurred, lost, and reimagined.